Øyvind Aase — pianist
[ Biography | Discography
| Press clippings | Repertoire
plans ]
BOOKING:
thema music production • Eikåslia 8, N-5131 Nyborg,
Norway
phone: +47 55 19 46 38
email: oyvind.aase@thema.no.
Biography
Øyvind Aase was born 1959 in Bergen, Norway. He now lives in Åsane near Bergen where he works as a freelance pianist and teacher.
Teachers, schools and courses
Øyvind
Aase got his formal education in Norway at the Bergen and Oslo universities.
His piano teachers in Bergen were Liv Rise and Jan Henrik Kayser (1968-81),
and during his music studies at the University of Oslo he was given piano
lessons by Eline Nygaard (1979-80). In 1981 he went to London to continue
his piano studies at the Advanced Solo Studies Course, Guildhall School of
Music and Drama. The pianist Edith Vogel was his teacher there for 3 years,
and in 1983 he achieved the school`s Concert Recital Diploma (Premier Prix)
after his performance of Beethoven`s Piano Sonata op.101,
Brahms` Fantasien op.116 and Four Piano Pieces op.22 by the
Norwegian composer Fartein Valen.
In 1975 Øyvind Aase performed Ravel`s Jeux d`Eau
in a masterclass given by the pianist Charles Rosen at the Dartington Summer
School of Music, England. During the following years he also took lessons
from the pianists Albert Ferber (London and Bergen; 1975-77) and Jenny Solheid
(Beethoven course in Bergen 1980). In the eighties his teachers in the field
of chamber music included Edith Vogel and the violinist Manoug Parikian (London
1984), in addition to the violinist Sergiu Luca (masterclass in duo playing
at the Académie de Musique Lausanne 1985) and the singer Anne Brown
(accompaniment, Oslo 1988). Besides, Aase has worked with several Norwegian
composers, and been guided how to perform their works.
To the top
Concerts
At the age of 12 Øyvind Aase was complimented in a Bergen paper after
his performance of a piece by Haydn. Four years later he
won the 2nd prize in a national competition for young pianists in Oslo. And
during the years 1975-81 he appeared regularly in public in his hometown Bergen.
In 1979 – at the age of 20 – Øyvind Aase made his solo
debut as a concert pianist in the famous Aula in Oslo. His performance of
works by Schubert and Debussy, not to mention
Schumann`s demanding Davidsbündlertänze op.6, gained
critical acclaim in five Oslo papers.
In
1980 Øyvind Aase made his first concert appearance at Troldhaugen,
the home of the composer Edvard Grieg, where he performed works by Mozart
and Grieg. In 1981 he made his solo debut with a symphony
orchestra, and this event took place in Grieghallen in Bergen, where the pianist
performed the Shostakovitch Piano Concerto no. 2 with the
Bergen Philharmonic Orchestra. The following years included performances of
piano concertos by Mozart and Beethoven.
After Øyvind Aase had finished his studies at Guildhall in London,
he returned to Norway and settled there in 1984. The programme for his solo
recitals in Bergen and Oslo this year included the Haydn
Sonata in C minor HXVI:20, the Beethoven Sonata in A major
op.101 and Schumann`s great Sonata in F sharp minor op.11.
His concerts the following years were devoted mostly to the chamber music
repertoire, including major works by Bach, Mozart,
Beethoven, Schubert, Schumann,
Brahms, Reinecke, Grieg,
Debussy, Poulenc, Stravinsky,
Allan Pettersson and Olav Anton Thommessen,
among others.
Aase`s soloistic activities in the eighties culminated in 1989, when he gave
a solo recital in Troldsalen (at Troldhaugen) to celebrate his concert debut
ten years earlier. On this occasion he performed Schubert`s
great Piano Sonata in G major, Stravinsky`s Piano Sonata
(1924) and for a third time a major work by Schumann: The
Carnaval op.9.
From 1986 and onward Øyvind Aase gave concerts and made radio recordings
in Norway, Sweden and Finland. For the Norwegian Broadcasting Company (NRK)
he recorded the Schumann Piano Sonata op.11, and he also
played the piano part in a recording of Josef Suk`s Four
Pieces op.17 for the Swedish radio. Later – in 1988 – he returned
to the NRK to do a recording of a selection of Preludes (op.28) by Chopin,
and he also went to Helsinki to take part in a radio recording of Schubert`s
Sonate ”Arpeggione” for the Finnish radio. In later years he has
twice (1998/2001) made complete radio recordings for the NRK of the Norwegian
composer Alf Hurum`s chamber works with piano.
After recitals in Nordic cities like Oslo, Stockholm and Helsinki, Øyvind
Aase was engaged by the East West Arts Ltd. in London and supported by the
Norwegian NORAD to do a tour of India and Bangladesh in 1992. His solo and
duo recitals in cities like Bombay, Poona, Bangalore, Delhi, Calcutta and
Dhaka included performances of major sonatas for cello and piano by Beethoven,
Mendelssohn and Rachmaninov, as well as
piano works by Haydn and Grieg.
In
the early nineties Øyvind Aase made the acquaintance of several Norwegian
composers, and over the next years he frequently gave first performances of
solo and chamber works by Bjørn G. Gjerstrøm,
Kjell Marcussen, Magne Grov and Kjell Mørk
Karlsen. The Nordic profile of his repertoire these years was made
even more explicit by his performances of works by Eyvind Alnæs,
Arne Dørumsgaard, Øistein Sommerfeldt,
Johan Kvandal, Egil Hovland, Per Hjort Albertsen,
Vagn Holmboe, William Seymer, Sulho Ranta,
and Thorkell Sigurbjörnsson. And when Øyvind
Aase in 1993 gave a solo recital in Den Gamle Logen in Oslo, where he performed
6 Norwegian piano sonatas composed during a period of 200 years, he introduced
the rarely played works by J. H. Berlin, T. Tellefsen,
G. Gjerstrøm, Bjørn G. Gjerstrøm
and F. Mortensen, together with the Grieg
Sonata op.7.
His Nordic programme profile has been accentuated later through his performances
of the Norwegian impressionist Alf Hurum`s piano and chamber
music. In recent years Øyvind Aase has also performed many works by
contemporary and twentieth century composers, and in 1999 he contributed to
the centenary of the French composer Francis Poulenc`s birth
by giving a Poulenc programme at the International Chamber Music Festival
in Stavanger with Norwegian actress Sidsel Ryen.
[ Biography | Press
clippings | Repertoire plans | To the top ]
Discography
In 1991 Øyvind Aase went to Rainbow Studio in Oslo to record sonatas
by Stravinsky, Haydn and Schumann
for his first CD.
His next recordings focused on lesser known solo and chamber works by the
Nordic composers Carl Nielsen, Johan Kvandal,
Oskar Merikanto, Leifur Thórarinsson,
Adolf Wiklund, Edvard Hagerup Bull, J. P.
E. Hartmann, Emil Horneman, Fini Henriques,
Gunnar Gjerstrøm and Bjørn G. Gjerstrøm.
Among his CD recordings from the 1990`s, three are devoted to a repertoire
that brings into focus motives and situations from the world of children.
In 1998 Øyvind Aase embarked on his most ambitious CD project to date,
when he recorded Alf Hurum`s complete works for violin and
piano with violinist Stephan Barratt-Due. The Hurum Collection now
consists of 4 CDs on 3 editions, and the series is to be concluded in 2003.
The list of recorded works below is in alfabetical order. For further information
on other musicians: See thema`s main page.
The figures refer to the following productions:
- EXPRESSIONS OF THE PIANO SONATA (PDR01/91)
- NORDIC PIANO MUSIC FOR CHILDREN (TH 195-2)
- TWO COMPOSERS • TWO GENERATIONS (TH 196-2)
- DET ER HELT SANT! (”IT`S PERFECTLY TRUE”) (TH 197-2)
- ALF HURUM: COMPLETE WORKS FOR VIOLIN AND PIANO (TH 199-2)
- BJØRNEN PADDINGTONS FØRSTE KONSERT (”PADDINGTON BEAR`S
FIRST CONCERT”) (TH 200-2)
- ALF HURUM: A MUSICAL PAINTER. PIANO WORKS (TH 201-2)
- ALF HURUM: FANDANGO. COMPLETE SONGS WITH PIANO (TH 202-2)
| Composer |
Title |
|
 |
CD |
| Bull, Edvard Hagerup |
The Tin Soldier op. 6B no.1 (piano) |
 |
|
4 |
| Chappell, Herbert |
Paddington Bear`s first concert(reading/piano) |
 |
|
6 |
| Gjerstrøm, Bjørn G. |
Aria appassionata op.20 (violin/piano) |
 |
|
3 |
| |
Camara de Lobos op.8 (piano suite) |
 |
|
3 |
| |
Foreboding op. 31/1 (soprano/piano) |
 |
|
3 |
| |
In a strange night op.31/2 (soprano/piano) |
 |
|
3 |
| |
Landscape with snow op.26 (soprano/piano) |
 |
|
3 |
| Gjerstrøm, Gunnar |
Berceuse (violin/piano) |
 |
|
3 |
| |
Caprice norvégienne (violin/piano) |
 |
|
3 |
| |
Piano Suite |
 |
|
3 |
| |
Six songs (soprano/piano) |
 |
|
3 |
| Hartmann, J. P. E. |
Novellette. Six small pieces op.55b (piano) |
 |
|
4 |
| |
The Butterfly op.50/2 (piano) |
 |
|
4 |
| |
The Rocking Horse op.50/3 (piano) |
 |
|
4 |
| Haydn, Joseph |
Piano Sonata in C minor HXVI:20 |
|
|
1 |
| Henriques, Fini |
It`s perfectly true! (piano) |
 |
|
4 |
| Horneman, Emil |
From the depths of the sea (piano) |
 |
|
4 |
| |
The Nightingale (piano) |
 |
|
4 |
| Hurum, Alf |
Exotic Suite op.9 (violin/piano) |
 |
|
5 |
| |
Fairyland op.16 (piano suite) |
 |
|
2/7 |
| |
For Piano op.3 (piano suite) |
|
|
7 |
| |
For Piano op.7 (selection) |
 |
|
7 |
| |
Gothic Pictures op.17 (piano suite) |
|
|
7 |
| |
Impressions op.4 (piano suite) |
|
|
7 |
| |
Nordic Suite op.18 (piano) |
 |
|
7 |
| |
Pastels op.10 (piano suite) |
 |
|
7 |
| |
Rococo (piano) |
 |
|
7 |
| |
Songs with piano op.11 |
 |
|
8 |
| |
Songs with piano op.12 |
 |
|
8 |
| |
Songs with piano op.13 |
 |
|
8 |
| |
Songs with piano op.14 |
 |
|
8 |
| |
Songs with piano op.19 |
 |
|
8 |
| |
September (mezzo-soprano/piano) |
 |
|
8 |
| |
Sonata for violin and piano op.2 in D minor |
 |
|
5 |
| |
Sonata for violin and piano op.8 in A minor |
 |
|
5 |
| |
The Birch (mezzo-soprano/piano) |
 |
|
8 |
| |
Watercolours op.5 (piano suite) |
|
|
7 |
| Korngold, E. W. |
Die Prinzessin auf der Erbse op.3/2 (piano) |
|
|
4 |
| Kvandal, Johan |
Eight Folk-tunes for piano op.70 |
 |
|
2 |
| Merikanto, Oskar |
From the world of children op.31 (piano suite) |
|
|
2 |
| Nielsen, Carl |
Humoresque-Bagatelles op.11 (piano suite) |
|
|
2 |
| Poulenc, Francis |
The story of Babar, the small elephant (reading/piano) |
 |
|
6 |
| Schumann, Robert |
Piano Sonata op.11 in F sharp minor |
|
|
1 |
| Stravinsky, Igor |
Piano Sonata (1924) |
|
|
1 |
| Thórarinsson, Leifur |
Children`s Pieces (piano suite) |
 |
|
2 |
| Wiklund, Adolf |
From my window (piano suite) |
 |
|
2 |
World premiere recording on CD
First time CD recording with Norwegian text
[ Biography | Discography
| Repertoire plans | To the top]
Press clippings
- 1975
- Beethoven: Piano Sonata op.79 in G major. Concert
in Håkonshallen, Bergen
Aase was well pepared technically ... he produced elegant passages
in an energetic performance.
Valter Aamodt / Bergens Tidende 24.04.75
- 1976
- Grieg: Piano Sonata op.7 in E minor. Concert in Håkonshallen
With a wide range of expression he gave the Sonata a dynamic interpretation
rich in colour.
Valter Aamodt / Bergens Tidende 06.05.76
- 1977
- Beethoven: Piano Sonata op.26 in A flat major. Concert
in Håkonshallen
Øyvind Aase ... did this remarkably well. His interpretation
was characterized by a well-balanced use of dynamics, combined with
a sensitive touch and poetic expression.
Valter Aamodt / Bergens Tidende 28.04.77
- 1979
- Chopin: Fantasy op.49 in f minor. Concert in Håkonshallen
The Fantasy was played with great control. His interpretation had
both feeling and significance.
Knut Harald Ekle / Morgenavisen 04.04.79
- DEBUT RECITAL in Universitetets Aula in Oslo 22.10.79
Schubert: Piano Sonata op. posth. 120 in A major
Schumann: Davidsbündlertänze op.6
Debussy: 6 Preludes
It is seldom one gets the opportunity to listen to such a musicality
at debut concerts nowadays.
Conrad Baden / Morgenbladet 23.10.79
His technique and treatment of the keyboard are both highly
developed, and so is his musical insight and intuition.
Thoralf Norheim / Aftenposten 23.10.79
Both concerning technical ability and musicality is he
far above the average level.
Reimar Riefling / Verdens Gang (24.10.79)
- 1980
- Concert at Troldhaugen, Edvard Grieg`s home. Solo works by Mozart
and Grieg
His execution was technically brilliant with a display of contrasts
that brought the music alive.
Valter Aamodt / Bergens Tidende 04.07.80
- Beethoven: Piano Sonata op.7 in E flat major. Concert
in Håkonshallen
Aase performed [the Sonata] with manifest expression. His playing
has got an advanced touch ... besides he plays with a clear and distinct
articulation.
Tore Lund / Bergens Arbeiderblad 16.10.80
- 1981
- Shostakovich: Piano Concerto no. 2 with Bergen Philharmonic
Orchestra in Grieghallen, Bergen
The personal interpretation, strongly felt and played with technical
mastery, in a perfect interaction with the orchestra, enabled both soloist
and orchestra to concentrate on the shaping of the music.
Anton Chr. Meyer / Morgenavisen 03.04.81
- 1982
- Mozart: Piano Concerto in D minor K 466 with Collegium
Musicum in Håkonshallen
His playing was distinguished by a profound understanding and a
natural authority that balanced the restlessness of this particular
concerto.
Anton Chr. Meyer / Morgenavisen 03.11.82
- 1984
- SONATA RECITAL in Håkonshallen, Bergen and Universitetets Aula,
Oslo
Haydn: Piano Sonata HXVI:20 in C minor
Beethoven: Piano Sonata op.101 in A major
Schumann: Piano Sonata op.11 in F sharp minor
The peak of the concert was reached in the Schumann Sonata ...
Øyvind Aase stressed the jovial strength of the work ... The
Beethoven Sonata ... he shaped with special care for tone colour and
the inner voices of the work.
Morten Gaathaug / Aftenposten 03.05.84
- 1986 / 1987
- Beethoven: Piano Concerto no. 3 in C minor in Håkonshallen
and Grieghallen (1st mvt.) (Bergen Chamber Orchestra / Hordaland Symphony
Orchestra)
The soloist made a very convincing appearance, with a sensitive
interpretation displaying a clear consciousness of formal elements.
Anton Chr. Meyer / Bergens Tidende 17.06.86
- CHAMBER CONCERT in Håkonshallen, Bergen with – among others
– Stein O. Henrichsen, clarinet / Vidar Olsen, horn in Carl Reinecke`s
Trio op. 274
beautiful and poetic ... The musicians succeeded in conveying a
dynamic elasticity and wide range of expression that made the performance
an event.
Reidar Storaas / Bergens Tidende 13.03.86
- DUO RECITALS violin and piano With Birthe Jonsson, violin
Håkonshallen, Bergen
Brahesalen, Jönköping (Sweden)
Waldemarsudde and Musikaliska Akademiens Stora Sal, Stockholm
Oslo Konserthus, Lille sal
Beethoven: Sonata for violin and piano op.30 no. 2
in C minor
Brahms: Sonata for violin and piano op.100 in A major
Schumann: Sonata for violin and piano op.105 in A minor
Grieg: Sonata for violin and piano op.13 in G major
Debussy: Sonata for violin and piano in G minor
Stravinsky: Duo Concertant
Allan Pettersson: Romanza
Olav Anton Thommessen: Please accept my ears / airs
The musicians` interpretation of [Stravinsky] was exciting and
intense. Contrasts were fully exploited, and the culmination was reached
in the last movement ... A maximal exploitation, especially in the piano
part, of Thommessen`s abrupt dynamic variations.
Katrine Sæverud / Bergens Tidende 20.11.86
We particularly noticed how well the artists [in Stravinsky]
succeeded in weaving together two different instruments into a unit
of its own ... In the Beethoven C minor Sonata the pianist really triumphed
in his beautiful handling of the thematic material and through his understanding
of the work`s dramatic character.
Henrik Persson / Jönköpings-Posten 23.02.87
- 1989
- SOLO RECITAL in Troldsalen, Bergen
Schubert: Piano Sonata op.78 in G major
Schumann: Carnaval op.9
Stravinsky: Sonata (1924)
The fast movements in the Stravinsky were played with excellent
sonority combined with a well-proportioned use of accents, which made
for a lively performance. But the best part of the concert was Schumann`s
Carnaval ... Here Aase gave a very convincing interpretation, allowing
various aspects of the work to sing out.
Sigvard C. Lepsøe / Bergens Tidende 12.10.89
- 1991 / 1992
- DUO RECITALS cello and piano
Kongsvinger, Drammen, Lørenskog and Oslo (Norway)
Bombay, Poona, Delhi, Bangalore, Calcutta and Dhaka (India / Bangladesh)
With Anup Kumar Biswas, cello
Mendelssohn: Sonata op. 58 in D major
Beethoven: Sonata op. 102 no. 1 in C major
Rachmaninov: Sonata op. 19
John Cooper: Two pieces
Grieg: Lyrical Pieces / Folk Tunes
Haydn: Piano Sonata in C minor
Their performance made this a great event. Their ensemble playing
was rather beyond compare.
Erik Svenke Solum / Glåmdalen, Kongsvinger 02.12.91
One of the highlights of the performance was the brilliant
interpretation of the Rachmaninov Sonata ... The two instruments seemed
to have fused in a seamless continuity of sparkling music.
Kavita Nagpal / Indian Express, Delhi January 1992
This was a powerful number performed with skill an dexterity
by both the artists. This piano-cello duo provided the audience with
a musical feast.
Premila Singh / Deccan Herald, Bangalore 28.01.92
Here [in Grieg] the pianist was certainly in his element
... the pianist succeeded in those twenty minutes in laying bare the
entire spectrum of the composer`s art.
Maharashtra Herald, Poona 17.01.92
- 1993
- SONATA RECITAL – 200 years of Norwegian piano sonatas - in Den
Gamle Logen, Oslo.
J. H. Berlin: Sonata in B flat major
T. Tellefsen: Sonata op. 13
Grieg: Sonata op. 7
Gunnar Gjerstrøm: Sonata in E minor
Finn Mortensen: Sonata op. 7
Bjørn G. Gjerstrøm: Sonata op. 28
Not many pianists today would have the guts to give a recital programme
consisting exclusively of Norwegian works. Eventually here is one who
dares: the pianist Øyvind Aase, and his choice of programme proved
convincing ...
Arvid O. Vollsnes / Aftenposten 28.09.93
- 1995
- CD RECORDING: Nordic Piano Music For Children
We start with a new dimension: educational music. ... The majority
of the pieces have descriptive titles, and Øyvind Aase plays
them convincingly. He has a substantial reputation as a pianist, but
never suggests that he is merely performing simple exercises.
John Warnaby / Nordic Sounds no. 4 1995
His performance reflects a thorough preparation. Øyvind Aase
characterizes each individual piece in superb ways – rhytmically,
ingratiating, elegant, simple and beautiful. ... The pieces are very
descriptive in regard to titles and should inspire activities of great
diversity. The recording is also valuable as a cultural-historical document
in disclosing parts of the educational repertoire for piano in the musical
tradition of the Nordic countries.
Bjørg Julsrud Bjøntegaard / MUSIKK-fokus
no.6 1995
- 1998
- CD RECORDING: H. C. ANDERSEN: DET ER HELT SANT!
The pianist Øyvind Aase performs convincingly short pieces
that are inspired by the recital. The listener will find euphonious
music that comments and underlines the texts.
Jo Wangen, Arabesk, Oslo no.1 1998
- 1999
- CD RECORDING: Alf Hurum: Complete works for violin
and piano
Vigorous chamber music ...
The recording shows artistic temperament and enthusiasm. There is every
reason to listen to it because it brings to life music that is seldom
played. The fact that someone brings music from this period to our attention,
is of vital importance ... When they [the pieces] are rendered with
enthusiasm, they create a remarkable effect.
Idar Karevold, Aftenposten, 26.07.99
This CD was selected as one of 5 favourites by Hans H. Rowe
in Bergens Tidende, 11.07.99.
- 2000
- CD RECORDING: BABAR AND PADDINGTON
Here we have Francis Poulenc`s music to The story of Babar, the
small elephant – sparkling music and a sparkling performance by
the two artists. It is of great value that this music now becomes available
with Norwegian text. It does the producer and the artists honour.
Astrid Holen, Arabesk no.1 / 2000
- CD RECORDING: Alf Hurum: A Musical Painter
Beautiful and essential.
Musical life in Norway owes a lot to Øyvind Aase for his dedication
to the chamber music of Alf Hurum ... Aase`s interpretations are exquisite.
He is thoroughly at home with this music and does the music justice
with his masterly playing ... Aase makes this music come alive. This
double CD is both beautiful and important.
Trond Erikson, Øvre Smaalenene, 22.06.00
There is a connection between Grieg and Hurum. Grieg was
a master of tone colour, and this aspect is also present in Hurum`s
music ... The piano works on this double CD give an impression of the
wide range of Hurum`s oeuvre for piano ... The pianist Øyvind
Aase has made Hurum`s music his own ... Aase understands the uniqueness
of Hurum`s musical language and displays both the poetic and dramatic
sides of the pieces.
Idar Karevold, Aftenposten 26.07.00
- 2002
- CONCERT in Musikklærernes Hus (Alf Hurum`s home) in Oslo
Bjørn G. Gjerstrøm: Four Preludes op.36
(1999)
Melancholia op.42 (2001) First performance.
Øyvind Aase made a fine appearance as interpreter of these
pieces.
Harald Glattre / Musikkpedagogen, Oslo no.1 2002
[ Biography | Discography
| Press clippings | To the top ]
Repertoire plans 2003 –
Øyvind Aase will be engaged in the following projects from 2003:
- Aase has recently received a travel grant to study the piano music of
so-called ”Entartete” composers – musicians who for different
reasons were expelled from musical life during the Nazi regime. These studies
will include piano works by the composers Berthold Goldschmidt
(1903-96), Erwin Schulhoff (1894-1942) - and especially
Viktor Ullmann (1898-1944), whose last 3 piano sonatas
were composed in the Theresienstadt consentration camp.
Period: From spring 2004.
- The piano music of EDVARD GRIEG and ALF HURUM
in recital. Grieg`s Lyric Pieces alternating with Hurum`s impressionistic
music. Period: From autumn 2003.
- ”JUGEND” – Nordic piano music (mostly) from the early
twentieth century. Recital.
Selim Palmgren (Finland): Jugend op.28
Alf Hurum (Norway): Gothic Pictures op.17
Hilding Rosenberg (Sweden): Plastic Scenes
Knudåge Riisager (Denmark): Quatre Epigrammes op.11
Thorkell Sigurbjörnsson (Iceland): Concert Tours
Period: From 2003-04.
- BEETHOVEN-programme:
Piano Sonata in A flat major op.26
Andante Favori WoO 57
Six variations in F major op.34
Fantasy op.77
Piano Sonata in E major op.109
Period: From autumn 2004
- BJØRN G. GJERSTRØM: Piano works
Period: Concert in Oslo spring 2004.
- CD PROJECT: Piano music from the 20th century.
(Very) short piano pieces that reflect the ”spirit” of 20th
century piano music.
Composers include Barber, Berg, Berio, Cage, Carter, Debussy, MacMillan,
Mortensen, Nielsen, Nørgård, Pettersson, Pärt, Rakhmaninov,
Ravel, Takemitsu, Webern and Xenakis.
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